I was wondering, there should be a VLogL to false colour LUT somewhere. That may be cool for working out exposure.
Hah, I was thinking about that, but it is not possible. You could make a false color looking lut, by creating several luma keys and coloring selections to different hues, though the colors would more look like oversaturated areas of some hues and not strong flat overlay color like in real FC. Or maybe values of gray in black and white image could be mapped to different colors, create lut, and applied to some black and white picture profile in camera? I think that it would not be good for anything, but someone might try to see what would happen :)
Yosuke Yamane, the Director of Panasonic’s imaging business visited DPReview on a recent trip to the United States. He spoke to them about the GH5, the promise of 8K, reports of downsizing and why we haven’t seen on-sensor phase detection in one of the company’s cameras.
Yep
Yamane was very open about the reasoning behind selling the V-Log feature as a paid upgrade: ‘If we incorporated it into the camera, we would have to charge a higher price for the GH5. As of now we believe it’s appropriate to offer V-Log as an option.
And I like how he lies.
We pressed Yamane on whether he thought the GH5 was selling beyond existing GH4 owners. ‘We don’t have any specific numbers,’ he says: ‘but my gut feeling is that many GH4 users are upgrading to the GH5, this is a decent portion of our first buyers. But, beside GH4 users, maybe it’ll be Canon EOS 5D III and IV users, or Alpha 7S Mark II users. Especially, my feeling was that EOS 5D Mark III users are very much interested in GH5.’
Some issues with GH5 sales.
‘Really at the core of the camera is its performance, which comes from the LSI’s development: the new processing engine. I truly believe this is the most special engine in the entire industry. This is not only for DSC but also for consumer and professional camcorders.’
LSI now being official;y made universal for all lineups
‘4:2:2 10-bit codec is 64x as much data as before. 4:2:0 8-bit at 60p.
Has some math problems.
‘The current business in the United States is 30% mirrorless and 70% compact camera,’ he says: ‘though nearer to 50:50 if you count interchangeable lenses as well.’
And this is mostly due to bad management, UK management is similar, btw.
‘For the future, to double the business, we’re going to focus on high end product: mirrorless cameras and high-end compacts.
What happens if everything is focus on high end? Right - failure.
As far as for the customer category, we don’t know if we will be able to record all of the output from 8K video. So the question is how we utilize 8K information and create a new photographic culture’
And now math hits hard on his head. If you can record 400Mbit you can certainly record 8K :-)
If Panasonic reads those forums I have a request for a future firmware update on the GH5:
Thank you!
@Fost VFR is a lego-land mode right now. What Panasonic need to do is forget about pixel skipping- and just do what Blackmagic does: Windowed mode. Sure it's even more of a crop- but 180 fps is cool cropped.
Hmm- that gives me an idea... can we use crop mode at same time?
EDIT: I think it possibly could look worse in 2k crop mode. :-0
A mini Varicam?
I made a short test GH4 vs GH5 at 400 iso ...and how GH5 perform much better in FHD 1080p
@valpopando What is really interesting about your test is that the supersampling in the GH5 is delivering so much more detail than the GH4 4k image. Noise control is a plus too.
Talking to dealers, it seems Panasonic GH5 destiny is same as all previous, as camera is hard to get for them
Few places were available
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